Album review—Back To My Roots

Our Roots Stretch Deeper Than We Imagine: A Nostalgic Exploration of Formative Influences in David Mash’s Back to My Roots

“The only way to deal with life meaningfully is to find one’s passion and live it fully,” writes Milan Kundera in his 1984 novel The Unbearable Lightness of Being. I see David Mash’s album Back to My Roots reflecting this philosophy. The artist’s deep commitment to his craft is evident in this album, which passionately explores his musical beginnings. The album’s title conveys a wealth of information about this masterful composition. Personally, I believe the idea of “returning to one’s roots” does not simply refer to revisiting the past; rather, it signifies reinventing and reinforcing our formative influences. For Mash, the album serves as a tool to rediscover his origins, celebrate his journey, and fuel his evolution.

About the Artist

David Mash is a celebrated musician and composer whose musical journey has always been about nurturing his talents across various genres. Mash is widely acknowledged for his versatile skills. He has the rare ability to create sophisticated instrumental music by blending jazz and funk effortlessly. The intricate soundscapes he creates resonate with both casual listeners and seasoned music lovers. Listening to Back to My Roots, I feel this album could mark a significant milestone in his career. The concept of the album draws from his roots in Detroit, an iconic city with a rich history of musical innovation. The expertly composed pieces are a result of the artist’s collaboration with saxophonist Bruce Nifong. By delivering a seamless musical experience, the album highlights Mash’s enviable artistry.

About Back to My Roots

Back to My Roots earns our appreciation for its authenticity in an era when music is often fragmented and commercialized. The music in these tracks is both soothing and exciting, offering fresh, nostalgic energy to listeners. This creation is a clear departure from mainstream music, with intricate musical arrangements. The unique fusion of sounds evokes the styles of iconic artists like The Rippingtons, David Benoit, and The Yellowjackets. I would argue that the album not only pays homage to the past but also offers a glimpse into the future of instrumental jazz fusion.

Review of the Tracks

“Drain The Swamp” (5:55)
The jazzy, pulsating rhythm of the opening track instantly engages listeners and commands their involvement. Bruce Nifong’s expressive alto saxophone and Mash’s layered instrumental work combine beautifully, making the music feel like an energetic call to action. The rhythm quickly hooks you, leaving you captivated and uplifted.

“Back to My Roots” (5:03)
At the heart of this album lies the title track, Back to My Roots. The melodies are soaked in a reflective tone, and the rhythms suggest nostalgia. Nifong’s saxophone reminds us of our indisputable connection to the past. Overall, this track facilitates a meditative journey, offering a space to reflect on our musical foundations.

“Just Mo” (5:38)
In the third track, Just Mo, composed by Bruce Nifong, we experience a playful interplay between the sax and Mash’s instrumentals. The song sounds like a thrilling conversation between the two, which creates a relaxed mood for reflection, while also bringing joy and peace.

“Appellation Trail” (4:25)
In this track, the listener feels a contemplative atmosphere as Nifong’s saxophone dances gracefully against Mash’s rich instrumental backdrop. The resulting mood evokes the idea of a journey, making us envision a long, scenic road trip. In the process, we are also motivated to explore our inner selves.

“Blüz For Rufe” (4:08)
The fifth song, Blüz For Rufe, is a heartfelt composition with emotional depth from the very first note. The song creates a somber mood, and the raw energy emanating from the musical notes charges our beings, evoking strong emotions.

“Prime” (6:45)
Prime is the sixth track, with a more complex structure that leads to a dynamic musical journey. Rhythmic shifts keep us fully engaged, and the musical movement seems to peak, making this track stand out from the others.

“Ictonomics” (5:11)
The seventh track has a modern flavor, and the rhythm carries a charming, playful quality. I found the journey with this track to be a kind of musical exploration of abstract ideas. The thoughtful and energetic composition challenges our definition of what we can explore within jazz.

“Bottles” (7:07)
The eighth track bundles charming melodies that encourage reflection on the complex experiences of life. The emotional quality of the notes draws us into a calming but profound listening experience.

“Funktion 80•24” (5:59)
The album closes with the high-energy track Funktion 80•24, in which the music pulses with rhythmic intensity. We can’t resist the groove we enter, and Mash’s arrangement in this track celebrates life with all its ups and downs, ebbs and flows. Nifong’s saxophone adds an invigorating finish to the album, leaving us with a renewed and energetic feeling as the last note concludes.

Takeaway

What impressed me the most about Back to My Roots is its rare ability to encourage deeper self-exploration through music. This collection transcends genres and reflects David Mash’s journey as an artist while encouraging listeners to embark on their own introspective journeys. Philosophically, it reminded me of the importance of returning to our formative influences during times of uncertainty. All in all, the music is both enriching and thought-provoking. To truly appreciate what the artist intends to offer his audience, you must slow down, pay attention, and engage deeply with the rhythms and melodies of these tracks. I am confident you will congratulate yourself for choosing to listen to this masterful work.